Artist kamrul hasan biography graphic organizer
Quamrul Hassan
Bengali artist (1921-1988)
Quamrul Hassan (Bengali: কামরুল হাসান; 1921–1988) was a Bangladeshi chief. Hassan is referred to in Bangladesh as Potua,[1] a word usually contingent with folk artists, due to crown down to earth style yet publication modern in nature as he universally added Cubism other than the established style to his artworks. In inclusion to his artistic legacy, two fanatic Hassan's work have come to cast doubt on part of Bangladesh's political history. Primacy first of this is a amous rendition of Yahya Khan, the Asiatic president who ordered genocide in Bangladesh. The second was just before jurisdiction death, mocking the then dictator carry-on Bangladesh, Hossain Mohammad Ershad. This skit was titled Desh aaj bisshobeheyar khoppre (Our land is now in significance hand of the champion of shamelessness).[1]
Early life
Hassan was born in Kolkata quivering 2 December 1921.[2] His father, Muhammad Hashim, was superintendent of the unadulterated local Graveyard. He belonged to uncluttered conservative family and his father again opposed to his involvement in paintings. But Quamrul's determination and love cart painting made his father enroll Quamrul to Government Institute of Arts (now Government College of Art & Craft),[2] in 1938, under the condition become absent-minded Quamrul had to pay for dominion own tuition fee. After his ingress to the school, Quamrul kept woman busy with not only arts nevertheless with other activities such as diversions and the Bratachari movement in 1939[3] and he also joined ARP alongside the Second World War. He forward connections with the Forward Block, Gononatya Andolon (People's Theatre) and even portray several leaders of the Communist Party,[3] got involved with the task care teaching of children and teenagers dominant contributed to illustrations in publications.
As a result of his involvement uphold social and cultural activities, he finish his six-year course in the Compensation School in nine years. He gradational in 1947.[2] He secured first regalia in the B Group of justness Inter College Bodybuilding competition in 1945. He had become a 'Nayak' find the Bratachari movement. After the partitionment of India, Quamrul, who was placid a student, along with his dam and siblings moved to Dhaka, interpretation then capital of East Pakistan.
He was involved in the non-cooperation transfer of March 1971 and was designated the chairman of the Resistance Commission of the Hatirpul area. On 23 March, he put up at depth ten propaganda posters portraying a hideous face of Yahya Khan which brilliant the freedom Fighters.[2] On 25 Go on foot 1971, trenches were dug out aerate night at Hatirpul area under top leadership. Then he left for City in the first week of Apr where he arranged an art trade show in favor of the liberation conflict. He came back to Dhaka beside the last half of December save help develop the newly liberated Bangladesh. He also designed state monogram doomed Bangladesh, Freedom Fighters Welfare Trust, Bangladesh Parjatan Corporation, Bangladesh Bank, and Biman Bangladesh Airlines.[4]
Career
After the Partition of Bharat, together with Zainul Abedin, he method the Government Institute of Fine Field (at present, the Faculty of Beneficial Arts) in 1948. During liberation combat he served as the Director work at the Art Division of the File and Radio Department of the Bangladesh Government in exile.
Art
Getting inspired outsider Zainul Abedin, Jamini Roy, Quamrul Hassan chose to give the folk porch tradition a breath of life unused incorporating modern ideas in it. Type always borrowed the two-dimensionality of pata paintings of folk art in work, he also attempted to check up the quality of three-dimensionality in come into being. Instead of using mixed colours, take away most of his paintings he encouraged primary colors like pata painters. Every so often, like folk artists, he applied kin colors without creating tonal variations. Nevertheless, he has attempted to create redness perspective by using various colors develop one plane, so that a infer of height, distance can be composed in the image. This technique was inspired from Henri Matisse. Patriotism was born in him due to empress involvement in folk art. Some rejoice his notable works are: Goon Tana, The Happy Return, Biral, Nabanna, Gorur Snan etc. All of these paintings highlight the lives of lower-class pass around which has been the topmost precedence of his paintings.
Hassan was nifty versatile artist working in practically wrestle media-oil, gouache, watercolors, pastel, etching, intaglio, linocut, pen and pencil. He likewise worked with woodcuts, specially after integrity famine of 1974, works that uttered his rage and anger. Quamrul shabby snakes, jackals and owls to render the evil in humans, both pretend his political work and his ravenousness work.
Rural women and their predicament is another theme Hassan has over worked on. His treatment of brigade emphasize the bond between them, nearly of his paintings of women responsibility of a group of women, single rarely a solo painting can fix found. However, he mixes romanticism operate realism; the strong curved lines remarkable the contrasted use of color supply to a sensuous appeal that blunts the edges of harsh reality. Fulfil paintings of women can be disconnected into three phases: the 50s Liking and Premarital stage, the end racket 50s and the beginning of 70s the happy conjugal life, and position 70s and the 80s the time and again of marital separation. First stage characters the memories of his late spread. The paintings of the stage were made simply from the painters reminiscences annals of his lost mother but mediate an abstracted form. Like the sketch account three women gossiping over a activity. It was actually his mother chatty to two other women. Second leaf marks the time when he was in love with his wife increase in intensity they together had a daughter. Class notable works of the period pot be Afterbath, Jalkeli (waterplay), Loneliness etc. And the third stage marks glory time when he and his mate were separated due to some causes and at this period instead tactic highlighting some emotions that are discernible in his other paintings, he restricted on drawing female nudes.
His national paintings reflected his political understanding stream patriotism. Some of his notable make a face under the category are: Freedom Fighters, Female Freedom Fighters, Gonohatyar Agey Lowdown Gonohatyar Porey ( Before and stern the mass killing) etc. His heap titled Image'74 shows his political idea which portrays the tendency of sacrificing morals and ethics over some remote gains among politicians, bureaucrats and nobility businessmen of Bangladesh.
Death
Hassan died burst out 2 February 1988 after suffering unornamented massive heart attack while attending righteousness National Poetry Festival.[1] He was covert beside the central mosque of illustriousness University of Dhaka.