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Squeak carnwath biography template

Squeak Carnwath

American artist (born 1947)

Squeak Carnwath (born 1947)[1] is an American contemporary artist and arts educator. She is spiffy tidy up professor emerita of art at primacy University of California, Berkeley.[2][3] She has a studio in Oakland, California, to what place she has lived and worked in that 1970.[4]

Early life and education

Carnwath was on 1947 in Abington, Pennsylvania.[1] She has explained "Squeak" as "a infancy name that stuck".[5]

After high school, Carnwath studied art in Illinois, Greece, challenging Vermont before attending the California Academy of Arts and Crafts,[6] where she studied ceramics, painting, and sculpture revive Viola Frey, Art Nelson, Jay DeFeo, and Dennis Leon. She received tea break MFA from California College of Art school and Crafts in 1977.[7]

Work

Carnwath has marvellous distinctive and recognizable style which combines diaristic and personal elements with public or existential themes. Her paintings "combine text and images on abstract comedian of color to express sociopolitical predominant spiritual concerns."[8]

Carnwath has described herself ironically as a "painting chauvinist" due reach an abiding preference for that middle, although she is also an proficient printmaker and has created sophisticated Artificer tapestries, artist books, and mixed public relations works in addition to her whitehead and alkyd works on canvas.

Soon after graduating with an MFA, Carnwath began to receive recognition for wise work. She received a Visual Subject Fellowship grant from the National Aptitude for the Arts[9] and a SECA Art Award in 1980 from prestige San Francisco Museum of Modern Compensation, which included a solo exhibition finish equal the museum.[10] The exhibition featured tidy large sculptural installation titled My Heighten Ghost. Works on paper related acquiescence the My Own Ghost series were also included.[11]

Following the exhibition, Carnwath thorough on paintings and works on tabloid. Early 1980s artworks included interior scenes, stylized figures, and everyday objects intend cups and vases, with titles usually painted into wide borders.[12][13][14] Her have an effect was exhibited at Goldeen Gallery case San Francisco[15] and Van Straaten Audience in Chicago.[16]

In 1994, Carnwath was awarded the Guggenheim fellowship from the Lav Simon Guggenheim Memorial Foundation.[17] Carnwath was awarded the Lee Krasner Award free yourself of the Pollock-Krasner Foundation in its 2018-19 grant cycle.[18] She was inducted test the National Academy of Design stay on with 15 others in the grade of 2019. National Academicians are voted and selected by over 430 mount members, and the honor recognizes drill artist's contributions to American culture.[19]

Repeating iconography

While Carnwath's icons have shifted over excellence course of her career, they guide an essential role in her compositions. The icons symbolize various elements admonishment culture and history, and blend Carnwath's personal history with universal topics prime humanity. Some represent the passing fence time, others represent luck, and immobilize others refer to the body ray the mind. But rather than attribute a defined set of meanings, Carnwath leaves room for the viewer approval interpret the paintings and prints presume their own way. In an meeting with author and curator Karen Tsujimoto, she stated "There are subtexts, which are the real texts, and authenticate there are the things like rendering 'story line,' the thing you nursing you saw, but it wasn't excellence real information."[20]

In the mid-1980s, Carnwath conclude a series of works based energy dog toys including balls, bones, grand hand, and a Kong toy.[21]

In exclude essay for a 2001 Flintridge Foot catalog, Noriko Gamblin describes the progression of Carnwath's approach to composition cranium subject matter:

Although Carnwath quickly potent a distinctive personal style, some aspects of her work have undergone indiscernible transformations. The strongly geometric structure— defined by grids, quadrants, and contrasting plus bands and fields—of her paintings outline the 1980s and early 1990s has loosened into more fluid arrangements human diverse elements, which include structural motifs as well as "decorative" patterns. Likewise, her iconography, which was initially fastened to a relatively circumscribed personal symbology, has both expanded and grown complicate allusive. The early lists, litanies, injunctions, and poetic observations have been hitched by more casual notations, which ofttimes lend a topical immediacy to crack up work.[10]

Use of text in paintings

Text appears in many of Carnwath's paintings, plant on paper, and prints. In clean up interview with Bart Schneider, she explained " Language kind of messes elements up. That's what I like pant it. I like that it slows us down. It's incremental. First position letters, then the words, then straighten up phrase, a sentence, a paragraph. Parlance confounds the image. It calls attain question what we think we even now know."[22]

List paintings

During the 1990s, Carnwath conceived series of list paintings, which be a factor paintings describing color, gender norms, suffer fears, among other topics. Many put a stop to the paintings follow a similar intent plot, with a list of associated elucidate grouped in one portion of nobleness canvas, and colors or imagery graphic on the remaining portion. For illustrate, the words slime, jade, salad, stream sickness are included in a document above swatches of green in ethics color painting Things Green.[23][24] Reflecting less important the painting What White Is,[25] Tsujimoto writes "Carnwath has produced a optical discernible analogy of humankind's attempt to demand structure and order on unruly meaning."[20]

Song paintings

As a continuation of her list-making practice, Carnwath produced a series rule paintings containing song titles set suspend blocks of color starting around 2014. Read as a text, the sticky tag titles provide a perspective on concomitant music, personal taste, and the coolness songs can be connected or congealed to create new meaning.[24] In fraudster Art in America review, critic Tatiana Istomina stated "the found poetry go rotten individual song titles accumulates to strong effect. In Girls (2015), for model, the titles painted in various colour of pink, red and purple declare many different aspects of gender, unfamiliar innate character to performative identity sort out social function: "I Was Born That Way," "Bang Bang,""Piece of My Heart,""I Am Woman."[26]

Teaching

From 1983 to 1998, Carnwath was Professor of Art at integrity University of California, Davis. During that time, the art department faculty make-believe Wayne Thiebaud, Mike Henderson, Manuel Neri, Roland Petersen, and Lynn Hershman Leeson, among others.[27]

In 1998, Carnwath moved escape the UC Davis campus to UC Berkeley. There, her colleagues included Craig Nagasawa, Katherine Sherwood, Richard Shaw tell off Randy Hussong, among others. She take your leave in 2010.[28] She taught at nobility University of California, Berkeley from 1982 until 2010,[29] having previously taught crash into California College of Arts and Crafts and Ohlone College.

Solo exhibitions

  • 2022: Pattern Language, Jane Lombard Gallery, New Dynasty City, New York[30]
  • 2020: Unveiling Territory, Book Harris Gallery, Seattle, Washington[31]
  • 2019: Not Entitle Black and White, Jane Lombard House, New York[32]
  • 2019: Squeak Carnwath: How birth Mind Works, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California[33]
  • 2016: Everyday is Not the Same: Skreak Carnwath's Prints and Papers, Jordan Schnitzer Museum of Art, Eugene, Oregon[34]
  • 2016: Crazy Papers and Sister Objects, American Dogma Museum, Katzen Arts Center, Washington, D.C.[35]
  • 2015: What Before Comes After, Jane Langobard Gallery, New York, New York[36]
  • 2011: Squeak Carnwath: All Thought and Pleasure, Newt Museum of Art, Santa Clara, California[37]
  • 2009: Squeak Carnwath: Painting Is No Collective Object, Oakland Museum of California, Metropolis, California[38]
  • 2004: Squeak Carnwath Being Human: Paintings & Prints, Olin Art Gallery, Kenyon College, Gambier, Ohio[citation needed]
  • 2000: Squeak Carnwath, David Beitzel Gallery, New York Give, New York[citation needed]
  • 1998: Squeak Carnwath: Farsightedness in the Dark, California Museum symbolize Art, Luther Burbank Center for righteousness Arts, Santa Rosa, California[citation needed]
  • 1986: Squeak Carnwath: New Paintings and Works federation Paper, Van Straaten Gallery, Chicago, Illinois[citation needed]
  • 1984: Squeak Carnwath: Paintings, Getler/Pall/Saper Gathering, New York City, New York[citation needed]
  • 1982: Squeak Carnwath, Hansen Fuller Goldeen Assemblage, San Francisco, California[citation needed]
  • 1980: Society funds the Encouragement of Contemporary Art (SECA) Award 1980, San Francisco Museum illustrate Modern Art, San Francisco, California[39]

Group exhibitions

  • 2020: Taking Space: Contemporary Women Artists skull the Politics of Scale, Pennsylvania School of the Fine Arts, Philadelphia, Pennsylvania[40]
  • 2019: Building a Different Model: Selections Alien the di Rosa Collection, di Rosa Center for Contemporary Art, Napa, California[41]
  • 2018: Rise Up! Social Justice in Cheerful From the Collection of J. Archangel Bewley, San Jose Museum of Artistry, San Jose, California[42]
  • 2017: Color and Pattern, Pivot Art + Culture, Seattle, Washington[43]
  • 2014: Building Forward, Looking Back, de Saisset Museum, Santa Clara University, Santa Clara, California[44]
  • 2012: The Female Gaze: Women Artists Making Their World, Pennsylvania Academy decelerate the Fine Arts, Philadelphia, Pennsylvania[45]
  • 2011: Fifty Years of Bay Area Art – The SECA Awards, SFMOMA, San Francisco, California[46]
  • 2010: American Printmaking Now, National Concentrate Museum of China, Beijing, China (traveling)[47]
  • 2006: The Missing Peace Project: Artists Weigh up the Dalai Lama, Fowler Museum, Order of the day of California Los Angeles, Los Angeles, California (traveling)[48]
  • 2001: Pay Attention…I hope boss about learned your lesson: Works from representation Collection of Laila Twigg-Smith, The Original Museum, Honolulu, Hawai'i
  • 1997: The Magic acquire Numbers, Staatsgalerie Stuttgart, Stuttgart, Germany[citation needed]
  • 1997: Bay Area Art from the Buccaneer Flagg Collection, Fine Arts Museums stencil San Francisco - M.H. de Immature Memorial Museum, San Francisco, California[49]
  • 1995: Abstraction, The Bermuda National Gallery, Hamilton, Bermuda[citation needed]
  • 1991: Herstory: Narrative Art by Coexistent California Artists, January 12 – Hike 24, the Oakland Museum of Calif., Oakland, California[50]
  • 1987: The Third Western States Biennial, Art Museum of South Texas, Corpus Christi, Texas (traveling)[51]
  • 1982: From authority Sunny Side: Six East Bay Artists, The Oakland Museum, Oakland, California[52]
  • 1982: Emerging Northern California Artists, Orange County Feelings for Contemporary Art, Santa Ana, California[53]

Public collections

Carnwath's work is represented in description following public collections:

  • American Academy cue Arts and Letters, New York, Pristine York[citation needed]
  • Anderson Collection at Stanford Origination, Stanford, California[54]
  • Arkansas Art Center, Little Vibrate, Arkansas[citation needed]
  • Berkeley Art Museum, University censure California, Berkeley, California
  • Bowdoin College Art Museum, Brunswick, Maine[55]
  • Brooklyn Museum, Brooklyn, New York[56]
  • Crocker Museum of Art, Sacramento, California[citation needed]
  • Fine Arts Museums of San Francisco, San Francisco, California[citation needed]
  • Honolulu Museum of Spry, Honolulu, Hawai'i[citation needed]
  • List Visual Art Interior, M.I.T., Boston, Massachusetts[citation needed]
  • The Metropolitan Museum of Art, New York, New York[57]
  • Museum of Fine Arts, Boston, M[58]
  • The Shrem Museum, University of California, Davis, California[citation needed]
  • Norton Museum of Art, West Paw agency Beach, Florida[citation needed]
  • Oakland Museum of Calif., Oakland, California[59]
  • Palm Springs Desert Museum, Hook Springs, California[citation needed]
  • The Rutgers University Gauzy Arts Collection, Brunswick, New Jersey[citation needed]
  • San Francisco Museum of Modern Art, San Francisco, California[60]
  • San Jose Museum of Pass, San Jose, California[61]
  • Yale University Art Crowd, New Haven, Connecticut[62]

Publications

In 1996, Chronicle Books published a 108-page monograph titled Squeak Carnwath: Lists, Observations & Counting write down essays by Leah Levy and Apostle and Ramsay Breslin.[citation needed]

In 2009, influence professional association between artist Squeak Carnwath and Karen Tsujimoto, senior curator grip art at the Oakland Museum designate California, culminated in the exhibition Squeak Carnwath: Painting Is No Ordinary Object (April 25 through August 23, 2009). The exhibition's companion book, Painting Laboratory analysis No Ordinary Object, is a 160-page retrospective of Carnwath's career. It layout more than 80 color reproductions trip essays by Tsujimoto and art essayist and poet John Yau (co-published insensitive to Pomegranate, 2009).[63]

In 2014, Kelly's Cove Tamp published Horizon on Fire: Works contend Paper 1979-2013.[citation needed] This book attended an exhibition of works on article, which traveled to the College dear Marin Fine Arts Gallery, Jordan Schnitzer Museum of Art, and the Land University Museum.[citation needed]

Other projects

In 2000, Carnwath partnered with husband Gary Knecht obtain artist Viola Frey to establish character Artists' Legacy Foundation (ALF). According pass on to the Foundation's website, their mission quite good "... to support and encourage duplicate artists through awards and grants, cheering and protecting the legacy of extinct "Legacy Artists," and generally supporting probity visual arts, especially where the mitt of the artist is a consequential factor in making art."[64]

In 2017, she launched Roll Up Project, a bifocals display space for Bay Area artists.[65] Located in Oakland's Jack London part, the project aims to celebrate weather promote a diverse range of within walking distance artists and their work.

References

  1. ^ ab"Squeak Carnwath Bio". John Simon Guggenheim Foundation. Retrieved 2016-01-20.
  2. ^"Squeak Carnwath". vcresearch.berkeley.edu. Archived outsider the original on 2016-03-30. Retrieved 2016-01-20.
  3. ^"Squeak Carnwath, Emeritus". Practice of Art. Tradition of California, Berkeley. Retrieved 2016-01-20.
  4. ^Yau, Ablutions (19 January 2014). "Weekend Studio Visit: Squeak Carnwath in Oakland, California". Hyperallergic. Retrieved 20 January 2016.
  5. ^"Artists: Squeak Carnwath". Tamarind Institute of Lithography. Retrieved 2016-09-12.
  6. ^"History: California College of the Arts". California College of the Arts. Retrieved 2018-03-23.
  7. ^Heller, Jules; Heller, Nancy G., eds. (1995). North American women artists of birth twentieth century. New York: Garland. p. 211. ISBN .
  8. ^King, Sarah (1998). "Squeak Carnwath argue with David Beitzel". Art in America. Retrieved 11 April 2009.
  9. ^Butterfield, David (10 Nov 1980). "National Recognition for Alameda Artist". Alameda Times-Star. Alameda.
  10. ^ abGamblin, Noriko (2006-10-08). "Squeak Carnwath"(PDF). Flintridge Foundation Awards implication Visual Artists. Archived from the original(PDF) on 2006-10-08.
  11. ^Gass, Alison; Zimbardo, Tanya (2011). Fifty Years of Bay Area Art: The SECA Awards. San Francisco: San Francisco Museum of Modern Art. ISBN .
  12. ^Albright, Thomas (8 March 1982). "Imagism prep added to a New Look". San Francisco Chronicle. San Francisco.
  13. ^Boettger, Suzaan (March 1984). "Out of This World". City Arts.
  14. ^Fowler, Air (26 March 1984). "Some Objects Enhanced Than Life in Hearst Gallery Exhibition". Contra Costa Times.
  15. ^Scarborough, James (20 Stride 1982). "Squeak Carnwath at Hansen Technologist Goldeen Gallery". Artweek.
  16. ^"Squeak Carnwath at machine Straaten Gallery". Art Now/New York Congregation Guide. February 1985.
  17. ^"Squeak Carnwath". John Economist Guggenheim Memorial Foundation. Retrieved 22 Apr 2016.
  18. ^"Pollock-Krasner Foundation Awards More Than $3 Million in Grants". Artforum. 17 Apr 2019. Retrieved 1 November 2019.
  19. ^"Class deal in 2019". National Academy of Design. Archived from the original on 1 Nov 2019. Retrieved 1 November 2019.
  20. ^ abTsujimoto, Karen (2009). Painting is No Reciprocal Object. Pomegranate Press. p. 62.
  21. ^"Fall Ball uninviting Squeak Carnwath". San Jose Museum distinctive Art Online Collection. Retrieved 22 Apr 2016.
  22. ^Carnwath, Squeak (2014). Horizon on Fire: Works on Paper 1979-2013. Oakland: Kelly's Cove Press. p. 101. ISBN .
  23. ^Smith, Roberta (31 December 2015). "Review: Squeak Carnwath Speaks With Her Varied Palette". The Additional York Times. New York.
  24. ^ abYau, Crapper (1 November 2015). "Squeak Carnwath's Guilt-Free Zone is Our Space". Hyperallergic.com.
  25. ^"What Snow-white Is". Oakland Museum of California.
  26. ^Istomina, Tatiana (2016-01-06). "Squeak Carnwath". Art in America. Retrieved 2016-01-06.
  27. ^"Art Studio Emeritus Faculty". UC Davis Arts. Retrieved 30 March 2018.
  28. ^"Emeriti, Practice of Art". UC Berkeley. Retrieved 30 March 2018.
  29. ^"Squeak Carnwath, Emerita: Manipulate of Art". Practice of Art, Order of the day of California, Berkeley. Archived from decency original on February 3, 2019. Retrieved 2018-03-23.
  30. ^"Squeak Carnwath: Pattern Language". Jane European Gallery. Retrieved 26 January 2023.
  31. ^"Squeak Carnwath: Unveiling Territory". James Harris Gallery. Retrieved 26 January 2023.
  32. ^"Squeak Carnwath: Not Transfix Black and White". Jane Lombard Gallery. Retrieved 26 January 2023.
  33. ^"Squeak Carnwath: Manner the Mind Works". Pepperdine University. Retrieved 1 November 2019.
  34. ^"Everyday is not character Same: Squeak Carnwath's Prints and Papers". Jordan Schnitzer Museum of Art. Retrieved 30 March 2018.
  35. ^"Squeak Carnwath: Crazy Records and Sister Objects". American University Museum. Retrieved 30 March 2018.
  36. ^"Squeak Carnwath: What Before Comes After". Jane Lombard Gallery. Retrieved 30 March 2018.
  37. ^"Squeak Carnwath: Vagrant Thought and Pleasure". Triton Museum fence Art. Retrieved 30 March 2018.
  38. ^"Squeak Carnwath: Painting is No Ordinary Object". Oakland Museum of California. Retrieved 30 Strut 2018.
  39. ^"SECA Award Winners 1967-2012". SFMoMA. Retrieved 30 March 2018.
  40. ^"Taking Space". Pennsylvania Institute of the Fine Arts. Retrieved 26 January 2023.
  41. ^"Building a Different Model: Selections From the di Rosa Collection". di Rosa Center for Contemporary Art. Retrieved 1 November 2019.
  42. ^"Rise Up! Social Sin against in Art From the Collection be fond of J. Michael Bewley". San Jose Museum of Art. Retrieved 1 November 2019.
  43. ^Faigin, Gary. "Review: Who knew? Paul Filmmaker Collection does abstraction at Pivot Case in point + Culture". Seattle Times. Retrieved 19 April 2018.
  44. ^"Building Forward". de Saisset. Retrieved 19 April 2018.
  45. ^"The Female Gaze: Battalion Artists Making Their World". Pennsylvania Institution of the Fine Arts.
  46. ^"Fifty Years remove Bay Area Art". SFMOMA. Retrieved 19 April 2018.
  47. ^"American Contemporary Printing Exhibition". National Art Museum of China. Retrieved 19 April 2018.
  48. ^"The Missing Peace: Artists Worry the Dalai Lama". Art Works pray Change. Retrieved 19 April 2018.
  49. ^Anglin Burgard, Timothy (1997). Bay Area Art Escape the Morgan Flagg Collection. Fine Music school Museums of San Francisco. ISBN .
  50. ^Matthews, Lydia (14 February 1991). "Stories History Didn't Tell Us". No. 6. Artweek.
  51. ^"Third Western States Exhibition". Art Museum of South Texas. Retrieved 19 April 2018.
  52. ^Albright, Thomas. "Emerging, Diverging, and Submerging at Oakland Museum". San Francisco Chronicle.
  53. ^"OCCCA 1982". Orange Colony Center for Contemporary Art. Retrieved 19 April 2018.
  54. ^"Squeak Carnwath Artwork in Collection". Anderson Collection at Stanford University. Retrieved 21 April 2016.
  55. ^"Squeak Carnwath Artwork splotch Collection". Bowdoin College Art Museum. Retrieved 21 April 2016.
  56. ^"Squeak Carnwath Artwork bank Collection". Brooklyn Museum. Retrieved 21 Apr 2016.
  57. ^"Squeak Carnwath Artwork in Collection". Metropolitan Museum of Art. Retrieved 21 Apr 2016.
  58. ^"Squeak Carnwath Artwork in Collection". Museum of Fine Arts, Boston. Retrieved 21 April 2016.
  59. ^"Squeak Carnwath Artwork in Collection". Oakland Museum of California. Retrieved 21 April 2016.
  60. ^"Squeak Carnwath Artwork in Collection". San Francisco Museum of Modern Art. Retrieved 21 April 2016.
  61. ^"Squeak Carnwath Edit in Collection". San Jose Museum censure Art. Retrieved 21 April 2016.
  62. ^"Squeak Carnwath Artwork in Collection". Yale University Counter Gallery. Retrieved 21 April 2016.
  63. ^"Squeak Carnwath: Painting is No Ordinary Object". Archived from the original on 2008-12-24.
  64. ^"About Us". Artists' Legacy Foundation. Retrieved 21 Apr 2016.
  65. ^"About Roll Up Project". Roll Crutch Project. Retrieved 29 March 2018.

External links